In any case, legibility studies frequently come to the conclusion that the greek double-story 'a' wins hands down. It's like the inherent ambivalence of lower-case l and capital I in sans-serif. I was learning to print in the early 70s, and I don't know if it was that time period or just my school, but there was No. ) I bar my 7s and Zs (both upper and lower case), and will add a double diagonal bar to the upper case Z if I need to distinguish it from a lower case z (usually in a math problem).
When I was in grade school learning my letters, I was taught to write the lowercase 'a' the fancy, double-story way, with even a little curly tail on the back. Likewise, I make lower-case x kind of curly, upper-case might get a double diagonal, and my t's have a serif if they are a variable (but not when spelling a word).
True, there are different typefaces, but I find it odd that the "fancy" A is so commonplace in fonts (and that fonts featuring the fancy A are so commonly used) but hardly anyone hand writes it that way. Perhaps the fancy A is more legible hands down because it is more distinct from other letters, as opposed to the single-loop A which, especially when hastily hand written, can be more readily mistaken for a sloppy O or lower case D. The lowercase 'g' is often much fancier in type, but the standard is swinging towards matching the written form. dating site for unge Lejre The fancier 'a' appears more frequently in serif fonts (e.g.In any case, legibility studies frequently come to the conclusion that the greek double-story 'a' wins hands down. However, we tend to fall back on what we know and what we think reads more easily.The double-story 'a' is still vastly more popular in type design due to legibility and the ability it gives the designer to create more individuality within a typeface. I've also given up writing my lowercase 'e's like a backwards no. But I'm happy to say I never dotted my 'i's with hearts.
Single story lowercase a
Both forms of the lowercase are a derivation of the capital A.The double-story 'a' is a throw back to how the Greeks wrote the letter (in handwriting).Why we've hung onto the Greek form is up for discussion. As to whether the double-story 'a' will disappear, I suspect anything is possible but it's doubtful in any near future. Perhaps it was used as a more 'formal' form of writing. Many typographers have attempted to redesign/reinvent letterforms, to simplify them.I've never unlearned this habit, and I can offer a good reason that the more standard way is preferred: When I take my time, my printing is very tidy, and includes serifs and all.